A 1785 oil painting by the French artist Nicolas Delapierre showing a gentleman seated at a desk and beginning to write on a sheet of paper might be the earliest portrait of Thomas Jefferson, painted while the author of the Declaration of Independence was the United States’s minister to France.
O. Roy Chalk, who also purchased the renowned 1789 Houdon bust of Jefferson now at Monticello, owned the painting for more than 41 years. The entrepreneur was an enthusiastic art collector who used his considerable fortune earned from interests in real estate, airlines, bus companies, newspapers and a rail line that hauled bananas in Central America to purchase works of art by notable works by Vincent van Gogh, Pierre-Auguste Renoir, and Mary Cassatt, among others. Chalk died in 1995.
Omnis, Inc., a Virginia consulting firm of researchers, is examining the painting in an effort to authenticate who appears in the portrait. The painting portrays an unidentified eighteenth-century gentleman seated at a desk, cravat undone, and putting quill pen to paper. He is holding a copy of a book titled De la Caisse d’Escompte, written by the French orator and statesman Honoré Gabriel Riqueti, Comte de Mirabeau, several years before Mirabeau achieved prominence as a leading figure in the French Revolution. The book sharply criticizes methods of financial speculation popular in pre-Revolutionary France. Many of Jefferson’s economic ideals were influenced by Mirabeau, and echoes of the French commentator’s critiques color Jefferson’s distaste for “stock -jobbers,” the National Bank, and aspects of Alexander Hamilton’s financial plans during the early Federal period.
The researchers established a Web site to release information about the painting, describe current research regarding its subject, and solicit additional information from the public. The Web site has a page called “Jefferson Connections” that offers tantalizing details such as similarities of facial features in the portrait and circumstantial historical evidence that indicates the painting could be a portrait commissioned by Thomas Jefferson. Particularly fascinating is the fact that the painting is similar to composition to a mirror image portrait of John Adams, Jefferson’s close friend, painted by Mather Brown. According to the Web site, unless the parallels in these two portraits are mere coincidences it appears that Brown had access to the 1785 Delapierre portrait in London when he painted the Adams portrait there in 1788.
The site also urges any readers with relevant information about the Delapierre painting to contact the researchers.